It was not long after Canada entered formally into international copyright relations in 1924 that a conference was called to revise the Berne Convention, and Canadian diplomats for the first time represented their country at the Berne Union directly. Throughout the proceedings, it became apparent that Canada held common interests with other countries like Australia and New Zealand on issues such as broadcasting and performance rights. However, Canadian delegates did not take a prominent position on these issues; their instructions held them to playing only a minor and uncontroversial role. Against the backdrop of Canada’s changing relationship with Britain and the United States in the 1920s and 30s, this chapter outlines the new role of Canada in international copyright relations in the 1920s.